Research
​
In 2019 Agata Kubiak completed a PhD at London College of Music, University of West London, researching new music performance and creativity in string players. Professors David Osbon and Simon Zagorski - Thomas supervised her work.
​
2015 - 2016 Agata was working as a Research Assistant to Professor Simon Zagorski-Thomas on his AHRC funded 'Classical Music Hyper Production' Research Project
​
​
​
PUBLICATIONS
​
Articles:
‘Composer-Performer Collaborations in New Compositions:
suggestions for change versus authorship’ in Music & Practice
Issue 6, ISSN 1893-9562,
Book Chapters:
‘New Instrument as Creativity Trigger in Composer-Performer
Collaboration’ in Perspectives in Music Production -
Innovation in Music (2019) Edited by Hepworth Sawyer,
Paterson and Toulson, Routledge (Taylor & Francis Group),
publication scheduled for 2020
Compositions:
‘Inside-Outside no.1’ ; ‘Inside-Outside no.2’ published online by ‘21st Century Music Practice Research Network’ http://www.c21mp.org/inside-outside/
CONFERENCES
Agata presented at following conferences:
​
2015 RMA Conference Birmingham - 'Classical Music Hyper Production' Panel
​
2016 CMHP Conference, Performers Panel Discussion VIDEO
​
2016 WestGold Symposium, presented a paper: 'How did the use of popular music related technology influence performances of classical repertoire during CMHP research project?'
​
2016 UWL Doctoral Conference, presented a paper: 'Under what circumstances does performing new music encourage creativity in string players?'
​
2016 PSN International Conference, presented a paper: 'How did the use of an electric instrument and sound modifying tools such as guitar pedals influence rehearsals and performance of classical music repertoire in Hyper Production research project?'
​
2017 Sound and Vision Research Study Day, Southbank University, presented a paper: ‘Using Video of Musical Practice As An Analytical Tool As Well As A Data Collection Technique’
​
2017 WestGold Symposium, presented a paper: 'Six Spiders and it's unique dual part'
​
2017 UWL Doctoral Conference, presented a paper: 'Six Spiders and it's unique dual part'
​
2017 International MuSA Conference, Karlsruhe, presented a paper: 'Engineering the avoidance of canonical reference in music performance. A study of string players.'
​
2017 RMA Conference Liverpool, presented a lecture-recital with Bartosz Szafranski: 'Six Spiders and it’s unique dual part. Advantages, difficulties and consequences of engaging one performer in simultaneous vocal and instrumental expression.'
​
2018 BFERMA Conference Huddersfield, presented a paper with Bartosz Szafranski: 'Advantages of rehearsing and performing with technology-enhanced score presentation'
​
​
24th February 2018 Ambient at 40 Conference, Huddersfield, Electric Spring Festival, Performed 'Six Spiders' by Bartosz Szafranski'
​
4-8th July 2018 PSN Conference, Oslo, presented a paper 'Does composer-performer collaboration stimulate creativity? A study of string players.'
​
28-30th March 2019 AEC Conference, Cluj Napoca, presented a lecture-recital 'The creative value of multitasking - simultaneous violin and vocal performance'
​
9-11th October 2019 TCPM Conference, Lisbon, presented a paper 'Creativity - a problematic definition'
​
5-7th December 2019 InMusic19 Conference, London, presented a paper 'New Instrument as Creativity Trigger in Composer-Performer Collaboration'
​
2022, Huddersfield, to present a paper 'Hybrid Approach as a collaborative tool - 'Boojwah Bagatelles' for amplified violin and loop pedal'
​
date tbc, Huddersfield, to present a lecture-recital 'The creative value of multitasking - simultaneous violin and vocal improvisation'
​
SEMINARS/WORKSHOPS
​
14th December 2017, University of West London
Led DRIPS Seminar 'Can new music stimulate creativity?'
​
14th February 2018, University of West London,
Co-led Composers Workshop on collaboration and extended violin technique
​
29th March 2018, Leeds College of Music
Leading a guest lecture/workshop 'Performing Live with Electronics'
​